Make No Money (富貴由天)

Choreographer: Ingrind Kan (March 2014)

Teach Video

Demo Video

Step Sheet

PDF

[1-8] Cross & Touch To Side, Cross & Touch To Side, Jazz Box 1/2turn Right
1-2Cross right over left, touch left toe to side

3-4Cross left over right, touch right toe to side

5-8Cross right over left, step left back, 1/2 turn to right step right to side, step left next to right

1-4右足於左足前交叉踏, 左足左側點,左足於右足前交叉踏, 右足右側點

5-右足於左足前交叉踏, 左足後踏,轉右1/2圈,右足前踏,左足踏併

[9-16] Vine Right , Heels, Toes, Heels, Hold (Clap)
1-4Step right foot to right side, step left foot crossed behind right, step right foot to right side, step left next to right

5-8Feet together twist both heels to left, both toes to left, both heels to left, Clap

1-4右足側踏,左足後踏,右足側踏,左足併

5-8右足踵向內旋轉, 右足踵轉回, 左足踵向內旋轉, 左足踵轉回(拍手)

[17-24] R side rock, , Recover L, behind R, L Side Step, R Touch 1/4 Turn Right with Kick ,R Back Step L Touch
1-4Rock right to right side , recover weight onto left , cross right behind left ,Step left to left side

5- 8R Touch Beside L (5)1/4 Turn Right with R Kick (6),Step back on R, Touch L next to R.

1-4右足下沉,左足回復,右足後踏,左足側踏,右足點在左足旁,轉右1/4圈,右足踢

5-8右足點在左足旁,右轉90度重心在左足,右足前踢,右足後踏,左足點

[25-32] Sway left, hold, sway right, hold, L behind, R side, L cross, R hitch
1-4step left to left side and sway upper body left (1), hold (2) ,Step right to right side and sway upper body right (3), hold (4),

5- 8Cross left behind right (5), step right to right side (6), cross left over right (7), hitch right knee (swivel slightly on left ready to begin again) (8)

1-4左足左側下沉,停拍右足右側下沉,停拍

5-8左足後踏,右足右側踏,左足於右足前交叉踏, 右後踢

Note: The 9th wall (It seems ending no music)keep dancing to the end of the dance! Have fun!

(第9面牆當掌聲響起時請繼續跳直到最後…)

Contact website: http://cht.tw/x/7h86o

Music

About the Choreographer

Ingrind Kan (March 2014)

Ingrind Kan, a dynamic performer since March 2014, showcases an impressive repertoire with three captivating dances featured in our archive. Their passion for movement and artistry brings a vibrant energy to every performance, inspiring audiences and fellow dancers alike.

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