DEAR LIFE

Choreographer: Guyton Mundy (Feb 09)

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Demo Video

Step Sheet

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The dance starts on the vocals - 32 counts in - on the word “Morn”

This timing on this would be slow, quick, quick, slow.

(1-9) Side, Back, Back, Full Turn, Back, Back, Back, Rock Recover, Walk, Cross, 1/4 Back
1-2&3 Step L to L; walk back R, L; 1/2 turn R stepping forward on R while slightly hitching up L completing full turn ending on the 12:00 wall
4&5 Walk back L,R,L
6-7 Rock back on R, recover L
8&1 Step forward R; cross L over R; 1/4 turn L stepping back on R

(10-17) Half, Half, Half, Full Spiral, Back, Back, Half, Sweep
2-3 1/2 turn L stepping forward on L, 1/2 turn L stepping back on R
&4& 1/2 turn L stepping forward on L, cross R over L, full spiral L (keeping weight on L)
5-1 Step back R, L; 1/2 turn R stepping forward on R; sweep little less than 1/2 over R shoulder ending on 1:30 wall with weight on L foot extending arms forward


(18-25) Hold, Half Turn Weave, Behind Forward With 1/4, Sweep, Cross, Back ,Back With Sweep
2-3 With weight still on L foot draw arms into body
4&5 Step back on R, making little more than 1/4 step forward on L ending on 9:00 wall; 1/4 turn L stepping R to R side
6&7 Step L behind R, 1/4 turn to R stepping forward on R, sweep L around in front of right
8&1 Cross L over R, step back R, step back on L as you sweep R around coming behind L

(26-32) Sweep Back, Sweep Back, Sailor 1/4, 1/4 Back 1/4, 1/4 , Side Touch
2-3 Step back R as you sweep L around coming behind R; step back on L as you sweep R around coming behind L
4&5 Step R behind L, 1/4 turn L stepping forward on L; step R to R
6&7 1/4 turn L stepping back on L, back on R, 1/4 turn L stepping L to L
8& 1/4 turn L stepping R to R, touch L next to R

Translating…
Music
About the Choreographer

Guyton Mundy (Feb 09)

Guyton Mundy is an accomplished dancer and choreographer, celebrated for his dynamic performances and innovative styles. With two captivating dances featured in our archive, he continues to inspire audiences and elevate the art of dance.

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