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Choreographer: Margaret Murphy

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Step Sheet

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INTRO
1-4Rolling vine to the right, right, left, right, touch left next to right
5-8Rolling vine to left, left, right, left, touch right next to left
 
9-12Step forward. On right, slide left up to right, twice.
13-16Step back on left, slide right back to left, twice
 
17-20Step right to right, touch left next to right, step ¼ turn to left, touch right next to left
21-80Repeat these 20 steps 3 more times

THE MAIN DANCE
1&2-3&4Turning ¼ turn left, shuffle on the spot right-left-right. Turning ¼ turn left shuffle on the spot left-right-left (back wall)
5&6-7&8Turning ¼ left shuffle on the spot, right-left-right, turning ¼ turn left, shuffle left-right-left on the spot (front wall)
 
9-12Walk forward, right, left, right, place left heel forward at 45.
13-16Walk back left, right, left, touch right next to left.
 
17&18Shuffle to the right, right-left-right.
19-20Rock step left behind right, rock forward onto right
 
21-24Repeat steps 17-20, leading with left
 
25-28Step forward on right pivot ½ turn to left, step forward on right, pivot ¼ turn left
 
29-30Rock forward onto right, rock back onto left
31&32Shuffle back right-left-right
 
33-34Rock back onto left, rock forward onto right
34&36Shuffle forward, left-right-left
 
37-38Rock to right on right, rock to left on to left
39&40Cross shuffle right-left-right
 
41-42Rock to left on left, rock to right on right
43&44Cross shuffle left-right-left
 
45-48Step forward on right, pivot ½ turn right. Step forward on right pivot ½ turn right

REPEAT

RESTART
On the 3rd wall (back) dance to beat 24, then restart
Dedicated to my friend Joan O'Neill, A.K.A. 'The Old Trooper' who suggested I write a dance to this piece of music.

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Music
About the Choreographer

Margaret Murphy

Margaret Murphy is a talented choreographer and dancer, known for her innovative creativity and dynamic performances. With 22 captivating dances in our archive, she continues to inspire audiences and fellow artists alike with her passion for the art of movement.

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