Got No Curfew

Choreographer: Sue Ann Ehmann (Nov 2013)

Teach Video

Step Sheet

PDF

Dedicated to Cheryl Evans (Steppin’ for the Homeless, Roanoke, VA)
With many thanks for the great song suggestion

Intro: 32 counts – Begin on lyrics

[1-8] DIAGONAL ROCK STEPS (2X), DIAGONAL TRIPLE RIGHT, DIAGONAL TRIPLE LEFT
1-4Rock right diagonally forward, recover left, rock right diagonally forward, recover left

(optional: diagonal hips bumps, or move them in a figure 8)
5&6Step right diagonally forward, step left beside right, step right diagonally forward

(Cha Cha Cha to right diagonal)
7&8Step left diagonally forward, step right beside left, step left diagonally forward

(Cha Cha Cha to left diagonal)

[9-16] JAZZ BOX CROSS, TRIPLE RIGHT, 1/4 LEFT SIDE TRIPLE
1-4Cross right over left, step left back, step right to side, cross left over right

5&6Step right to side, step left beside right, step right to side (Cha Cha Cha)

7&8Turn 1/4 left stepping left to side, step right beside left, step left to side (9:00)

(1/4 left Cha Cha Cha)

[17-24] TOUCH FORWARD, TOUCH BACK, TRIPLE FORWARD (REPEAT 1-4)
1-2Touch right toe forward, touch right toe back,

3&4Step right forward, step left beside right, step right forward

5-6Touch left toe forward, touch left toe back

7&8Step left forward, step right beside left, step left forward

[25-32] ROCK RECOVER, TRIPLE 1/2 RIGHT, ROCK RECOVER, COASTER
1-2Rock right forward, recover left

3&4Turning 1/4 right step right to side, step left beside right, turn 1/4 right stepping right forward (3:00)

5-6Rock left forward, recover right

7&8Step left back, step right beside left, step left forward

BEGIN AGAIN!

Choreographer Information: Sue Ann Ehmann, Patrick Springs, VA, USA - saehmann@centurylink.net

Music

About the Choreographer

Sue Ann Ehmann (Nov 2013)

Sue Ann Ehmann, featured in our archive since November 2013, brings a vibrant energy and creativity to the dance community with her stunning performance. With 1 dance showcasing her unique style, she continues to inspire and engage audiences everywhere.

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