PARADISE WALK

Choreographer: Unknown

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Step Sheet

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Position:Sweetheart Position.
 
1-4Brush left, step left forward, brush right, step right forward.
5-8Repeat steps 1-4.
9-10Rock back on left, rock forward on right.
 
11-12Brush left & turn ¼ to right, step left to side.
13-14Step right behind left, step left to side.
15-16Cross right over left & turn ¼ to left, step left & turn ½ to left
(Gent lifts right arm over lady's head, brings arm to waist level, then releases right hands.)
17-18Step right & turn ½ to left, step left & turn ½ to right, join hands in open position.
 
19-20Cross right over left, step left to side.
21-22Step right behind left, step left to side.
23-24Step right in front of left, step left to side & turn ¼ to right.
25-26Kick right forward twice.
27&28Shuffle forward right-left-right.
29-30Step forward left & pivot ½ turn to right
(Gent raises left hands over head & then right hands over head).
 
31-34Shuffle forward left-right-left then right-left-right.
35-36Step forward left, pivot ½ turn to right
(Gent releases right hands & raises left over Lady's head).
37Step forward left & Turn ½ into RLOD
(Gent releases left hands & rejoins right)
38Step forward right & turn ½ into RLOD
(Gent raises right hands over Lady's head & rejoins left).
39-42Shuffle forward left-right-left then right-left-right.
43-44Step left forward, pivot ½ turn to right (weight on right).
 
45-48Shuffle forward left-right-left then right-left-right.
49-50Brush left to side, step left to side.
51-52Step right behind left, step left to side.
53-54Brush right to side, step right to side.
55-56Step left behind right, step right to side.

REPEAT
Translating…
Music
About the Choreographer

Unknown

Unknown is a highly innovative line dance choreographer renowned for their exceptional creativity, contributing an impressive 825 original dances to our archive. Their unique ability to blend diverse musical genres with captivating movement has inspired dancers worldwide, fostering a vibrant community united by rhythm and expression.

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