Black Horse and the Cherry Tree

Choreographer: Karen Tripp , Feb 2012

Demo Video

Step Sheet

PDF

16-count intro,

2 SANDSTEP TRIPLES
1-2Swivel right toe towards left foot (and touch toe), swivel foot out and touch heel

3&4Cross shuffle crossing right in front of left, step left, cross right

5-6Swivel left toe towards right foot and touch toe, swivel foot out and touch heel

7&8Cross shuffle crossing left in front of right, step right, cross left

K-STEP (with claps)
9-10Step right diagonally forward, touch left next to right (clap)

11-12Step left diagonally back, touch right next to left (clap)

13-14Step right diagonally back, touch left next to right (clap)

15-16Step left diagonally forward, touch right next to left (clap)

2 LINDYS
17&18Shuffle side stepping right, close left to right, step side on right

19-20Rock back on left, recover forward on right

21&22Shuffle side stepping left, close right to left, step side on left

23-24Rock back on right, recover forward on left

ROCK SIDE RIGHT, RECOVER, CROSSING SHUFFLE, ROCK SIDE LEFT, RECOVER ¼ RIGHT, FORWARD SHUFFLE
25-26Rock to right side, recover on left

27&28Cross shuffle crossing right over left, left in place, step right (remain crossed)

29-30Rock to left side, turn ¼ right and recover on right

31&32Shuffle forward left, right, left

Repeat

TAG 1: At the end of Wall 3 (facing 9:00), add a 6-count Rocking Chair.

TAG 2: At the end of wall 6 (facing 6:00), add a 6-count Rocking Chair, Dance 1-8 of the dance and RESTART.

6-COUNT ROCKING CHAIR (Rock forward, recover, rock back, recover, rock forward, recover)
1-2Rock forward on right, recover back on left

3-4Rock back on right, recover forward on left

5-6Rock forward on right, recover back on left

Music

About the Choreographer

Karen Tripp , Feb 2012

Karen Tripp, featured in February 2012, is a dynamic performer whose passion for dance shines through her work. With one captivating piece preserved in our archive, she continues to inspire and connect with audiences through her vibrant artistry.

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