HEADPHONES

Choreographer: The Girls (Maureen & Michelle Jones)

Step Sheet

PDF

KICK-BALL-POINT, STEP, TOUCH BACK, ½ PIVOT, ¼ TURN, SIDE ROCK, BEHIND-SIDE-ACROSS

1&2Kick right forward, step right beside left, point left to left

&3-4Step left beside right, touch right toe back, pivot ½ turn right (weight on right)

5-6Make ¼ turn right and rock left to left, recover onto right

7&8Step left behind right, step right to right, step left across right

SIDE ROCK, SAILOR ¼ TURN, HITCH, ¼ TURN-POINT, SAILOR

9-10Rock right to right, recover onto left

11&12Step right behind left, make ¼ turn right and step left to left, step right to right

13-14Hitch left knee, make ¼ turn left and point left to left

15&16Step left behind right, step right to right, step left to left

DIAGONAL ROCKING CHAIR, TOUCH-HITCH-CROSS, SIDE ROCK, BEHIND-¼ TURN-STEP

17&18&Rock right across left, recover onto left, rock right diagonally back right, recover onto left

19&20Touch right beside left, hitch right, step right across left

21-22Rock left to left, recover onto right

23&24Step left behind right, make ¼ turn right and step right forward, step left forward

When dancing to "Headphones", restart dance after count 24 during walls 1, 4 and 8

MAMBO, BACK-ROCK-BACK, STEP, ROCK, ½ TURN, ¼ TURN-POINT

25&26Rock right forward, recover onto left, step right back

27&28Rock left behind right, recover onto right, rock back onto left

Counts 27&28 are syncopated rocks with the left foot positioned just behind the right

29-30&Step right forward, rock left forward, recover onto right

31-32Make ½ turn left and step left forward, make ¼ turn left and point right to right

REPEAT

Music

About the Choreographer

The Girls (Maureen & Michelle Jones)

Maureen and Michelle Jones, known as 'The Girls', are renowned line dance choreographers whose innovative and dynamic creations have captivated dance enthusiasts worldwide, with an impressive repertoire of 154 dances in our archive. Their unique ability to blend creativity with accessibility has not only revolutionized line dancing but also fostered a vibrant community of dancers eager to learn and celebrate this expressive art form.

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