Shake On

Choreographer: Myra Harrold (SCO) - January 2021

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Demo Video

Step Sheet

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Intro - 16 counts

Sect:1 Grapevine Right ,Grapevine Left
1-8Rf To R,Lf Behind Rf,Rf To R,Touch L Toe To Rf,Lf To L,Rf Behind Lf,Lf To L,Touch R Toe To Lf (12)

Sect:2 Heel,Hook,Heel,Flick,Toe,Flick,Step,Turn 1/4
1 - 4R Heel Fwd,Hook Rf Over L Leg,R Heel Fwd,Flick Rf Back Diagonal R (12)
5 - 8R Toe Fwd,Flick Rf Back Diagonal R,Rf Fwd,Turn 1/4 L(Keep Weight On Rf) (9)

Sect:3 Side,Touch,Side,Touch,Side Touch,Out,In
1 - 4Lf To L,Touch R Toe To Lf,Rf To R,Touch L Toe To Rf (9)
5 - 8Lf To L,Touch R Toe To Lf,Touch R Toe Out To R,Touch R Toe To Lf (9)
(Restart - Wall 3)

Sect:4 Scissor Step,Hold,Side,Turn 1/4,Cross,Hold
1-8Rock Rf To R,Recover To Lf,Cross Rf Over Lf,Hold,Lf To L,Pivot 1/4 R,Rf To R,Cross Lf Over Rf,Hold (12)

Sect:5 Rumba Box Back
1 - 8Rf To Side R,Close Lf To Rf,Rf Back,Hold,Lf To L,Close Rf To Lf,Lf Fwd,Hold (12)

Sect:6 Diagonal Steps With Touches And Claps
1-4Rf Fwd Diagonal R,Touch L Toe To Rf (Clap) Lf Fwd Diagonal L,Touch R Toe To Lf (Clap) (12)
5-8Rf Back Diagonal R,Touch L Toe To Rf (Clap) Lf Back Diagonal L,Touch R Toe To Lf (Clap) (12)

Sect:7 Monterey 1/2, Monterey 1/4
1-8Point R Toe To R,Pivot 1/2 R,Close Rf To Lf.Point L Toe To L,Close Lf To Rf (6)
5,8Point R Toe To R.Pivot 1/4 R.Close Rf To Lf,Point L Toe To L,Close Lf To Rf (9)

Sect:8 Swivets R,Swivet L,Swivet R,Swivet R
1-4Weight On R Heel & L Ball,Swivel Both Feet To R, Return Both Feet To Centre,Weight On L Heel & R Ball,Swivel Both Feet To L,Return Both Feet To Centre (9)
5-8Repeat Swivet R Twice (9)

Restart On Wall 3 After Sect:3, Restart At 3 O.Clock

Have A Shaking Time !!

Translating…
Music
About the Choreographer

Myra Harrold (SCO) - January 2021

Myra Harrold, an accomplished dancer and choreographer, has made her mark in the industry with two captivating dances archived in our collection since January 2021. With a passion for movement and creativity, she continues to inspire audiences and fellow artists alike with her vibrant performances.

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