Y Ahorrate

Choreographer: Nena Matela (USA)

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Demo Video

Step Sheet

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Intro: 2 counts - Sequence: ABBCB-ABBCB-BB

A. ROCK-AND-ROCK, WEAVE RIGHT, VINE LEFT, HIP BUMPS
1-4Rock L forward, recover to R, rock L forward, hold
5-8Rock R forward, recover to L, rock R forward, hold

9-16Repeat 1-8

17-18Cross L over R, step R to side
19-20Cross L behind R, touch R to side
21-22Cross R behind L, step L to side
23-24Cross R over L, touch L to side

25-32Repeat 17-24

33-36Step down on L bumping hips left, right, left, right

B. BOX STEPS, SIDE-AND-SIDE, MAMBO STEPS, FULL TURN
1-4Step L to side, slide R together, step L forward, touch R together
5-8Step R ro side, slide L together, step R back, touch L together

9-12Step L to side, slide R together, step L forward, touch R together
13-16Step R to side , slide L together, step R to side, hold

17-18Turn to left diagonal and rock L back, recover to R
19-20Square up front and step L to side, hold
21-22Turn to right diagonal and rock R back, recover to L
23-24Square up front and step R to side, hold

25-26Cross L over turning 1/2 right, Step R forward turning 1/4 right
27-28Step L forward turning 1/4 right, step R together

C. EXTENDED WEAVES, SLOW PRISSY WALK, ANGLED SLIDE-STEPS
1-4Cross L over R, step R to side, cross L behind R, step R to side
5-6Cross L over R, touch R to side

7-10Cross R over L, step L to side, cross R behind L, step L to side
11-12Cross R over L, touch L to side
13-16Step L in front of R, hold, step R in front of L, hold

17-18Step L forward, touch R next to L
19-20Drag R back diagonally to right, touch L together
21-22Drag L back diagonally to left, touch R together
23-24Drag R back diagonally to right, touch L together

Translating…
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About the Choreographer

Nena Matela (USA)

Nena Matela (USA) is a dynamic choreographer and performer known for her vibrant creativity and innovative dance styles. With five captivating dances featured in our archive, Nena continues to inspire audiences and fellow artists alike with her passion for movement and storytelling.

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