Sing

Choreographer: Maria Maag (DK) May 2014

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Demo Video

Step Sheet

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Intro: 16 counts from first beat
Ending: Wall 14, when you do the last 2 counts of the dance ( samba step )

(Just make the samba step 1/2 L to finish of the dance to 12 O`Clock )

[1 – 8] Cross side sailor ¼ R, toe strut L with hip bump, kick ball cross
1-2Cross R over L (1), step L to side (2) 12:00
3&4Cross R behind L (3), turn ¼ R stepping L to side (&), step R fw.(4) 03:00
5&6Touch L fw. With hip bump fw. L (5), recover R (&), step fw. L (6) 03:00
7&8Kick R fw. (7), step down R (&), cross L over R (8) 03:00

[9 – 16] Side step R with hip roll R touch L, hold ball cross R, side rock L recover R, behind side cross
1–2Step R to side and do a hip roll from L backwards and to the R (1), touch L to L (2) 03:00
3&4Hold (3), step L next to R (&), cross R over L (4) 03:00
5-6Step L to L and hip bump L (5), recover R (6) 03:00
7&8Cross L behind R (7), step R to side (&), cross L over R (8) 03:00

[17 – 24] Step R ¼ R step L, back rock step side R, heel swivel L, R, L hitch R
1-2Step R to side (1), turn ¼ R stepping L to side (2) 06:00
3&4Rock R behind L (3), recover L (&), step R to side (4) 06:00
5&6&Swivel L heel R (5), recover L heel to center (&), swivel R heel L (6), recover R heel to center (&) 06:00
7&8Swivel L heel R (7), recover L heel to center (&), hitch R (8) 06:00

[25 – 32] Hip bump fw. R back L, shuffle fw. R, step ¼ R, samba L
1-2Touch fw. R with hip bump fw. R (1), recover L (2) 06:00
3&4Step fw. R (3), step L next to R (&), step fw. R (4) 06:00
5-6Step fw. L (5), turn ¼ R stepping down R (6) 09:00
7&8Cross L over R (7), rock R to side (&), recover R (8) 09:00

Enjoy...:-)

Contact: maria.maag.dk@gmail.com

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About the Choreographer

Maria Maag (DK) May 2014

Maria Maag (DK), featured in our archive since May 2014, is a dynamic dancer known for her captivating performances that resonate with audiences. With one outstanding choreography documented, she continues to inspire and uplift the dance community with her passion and creativity.

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