BANDAIDO
Choreographer: Norman Gifford
Step Sheet
1-2(QQ) Left step oblique pushing hips forward, right together pushing hips back
3-4(S) Left step oblique pushing hips forward, hold
5-6(QQ) Right step oblique pushing hips forward, left together pushing hips back
7-8(S) Right step oblique pushing hips forward, hold
ROCK BACK, REPLACE, STEP FORWARD INTO ½ SWIVEL TURN RIGHT, HOLD, STEP SIDE, CROSSOVER, STEP SIDE, HOLD
1-2(QQ) Left step back, right replace forward
3-4(S) Left step forward turning ½ right, hold
5-8(QQS) Right step side, left crossover, right step side, hold
ROCK BACK, REPLACE, STEP FORWARD INTO ½ SWIVEL TURN RIGHT, HOLD, LOCK STEPS BACK, HOLD
1-2(QQ) Left step back, right replace forward
3-4(S) Left step forward turning ½ right, hold
5-8(QQS) Right ronde back, left lock across traveling back, right step back, hold
COASTER STEP, HOLD, SCISSOR STEP, HOLD
1-4(QQS) Left ronde step back, right together, left step forward, hold
5-8(QQS) Right step side, left step back, right crossover, hold
RUMBA BOX PATTERN WITH ¼ TURN
1-4(QQS) Left step side, right together, left step forward, hold
5-6(QQ) Right step side, left together
7-8(S) Right step back, turn ¼ left drawing left foot through (very smooth turn)
1-16Repeat two more times
This will bring you progressively to the next wall ¼ right
Beats 7-8 are done on the balls of the feet and the left turn snaps on the very last part of beat 8 so that the left foot steps into beat 1 as the turn faces the new wall
RUMBA BOX PATTERN
1-4(QQS) Left step side, right together, left step forward, hold
5-8(QQS) Right step side, left together, right step back, drawing left foot together
REPEAT
Translating…
Music
About the Choreographer
Norman Gifford is a talented choreographer and dancer, celebrated for his innovative contributions to the art of dance, with an impressive collection of 69 works featured in our archive. With a passion for inspiring movement, Norman continues to captivate audiences and fellow artists alike through his creative vision and dedication to the craft.
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